{"id":7241,"date":"2017-10-13T08:00:47","date_gmt":"2017-10-13T14:00:47","guid":{"rendered":"https:\/\/www.ulprospector.com\/knowledge\/?p=7241"},"modified":"2022-07-15T08:49:18","modified_gmt":"2022-07-15T14:49:18","slug":"pe-how-millennials-view-sustainable-products","status":"publish","type":"post","link":"https:\/\/ulprospector.ul.com\/7241\/pe-how-millennials-view-sustainable-products\/","title":{"rendered":"How Millennials View Sustainable Products"},"content":{"rendered":"<p><em>A University of Oregon educator asked young adults what material- and design-related factors they consider most important to a product\u2019s overall sustainability. The results may surprise you. <\/em><\/p>\n<p><strong>By Robert Grace <\/strong><\/p>\n<p>Just what constitutes an environmentally friendly, sustainable product? What determines whether a consumer views a product as sustainable or not? Kiersten Muenchinger is keenly interested in such topics, so she decided some time ago to investigate further.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ulprospector.ul.com\/media\/2017\/10\/bob-Kiersten-Muenchinger_LR-head-shot-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" \/>Muenchinger, an associate professor at the University of Oregon, is head of product design there. Named \u201cYoung Educator of the Year\u201d in 2011 by the Industrial Designers Society of America, she also is a principal of the school\u2019s Green Product Design Network.<\/p>\n<p>Muenchinger likes to research new materials and their processing methods to understand when and why the newest materials technologies are accepted in mass-produced consumer products. She notes that several approaches can be used to create more sustainable products.<\/p>\n<h3><strong>Long-time qualitative strategies<\/strong><\/h3>\n<p>\u201cSeven qualitative design strategies have been used for the last 20 years as guides to help design more sustainable products,\u201d Muenchinger notes. \u201cThese strategies are to choose materials that are 1) abundant, 2) non-toxic, 3) natural, 4) minimal and minimally processed, and to minimize waste by using 5) recyclable materials, 6) extending the product\u2019s life, and 7) minimizing the impacts of disposal<sup>1,2<\/sup>. These qualitative strategies are all based in materials selection,\u201d she adds, and aim to assist designers to consider sustainability factors early in the design process.<\/p>\n<p>She is particularly curious as to what individuals the age of her typical students \u2014 millennials \u2014 consider to be sustainable.<\/p>\n<p>\u201cOver the past 10 years,\u201d she wrote in an article recently for <em>Plastics Engineering<\/em> magazine, \u201cI have been asking millennials how they emotionally relate to the sustainability of products in their lives. I run Kansei engineering analyses to discover which of the seven sustainability strategies are the most effective for consumers to understand. Kansei analyses quantify the emotional connections people have to product features, so they are perfectly suited for understanding how people have assimilated the complex, misunderstood, nascent issues of sustainability with which designers and engineers currently grapple.\u201d<\/p>\n<p>Muenchinger went on to explain the concept further, noting that Kansei analyses require individuals to rank where an object falls on a linear scale between two verbal descriptors of the thing. She asks her millennial subjects, for example, to rank an aspect of an object (such as durability) on a scale of one to seven (i.e., from delicate to durable), and then analyzes their statistically significant responses to ascertain their attitudes or understanding about sustainability.<strong><br \/>\n<\/strong><\/p>\n<h3><strong>Material perceptions <\/strong><\/h3>\n<p>Her most recent study \u2013 completed early last year \u2013 focused entirely on polymers. The research targets were a set of 10 similarly sized drinking cups that had been injection molded for the study. Each cup was made from a different polymer. The chosen materials were:<\/p>\n<ul>\n<li>polypropylene (PP)<\/li>\n<li>polystyrene (PS)<\/li>\n<li>high-impact polystyrene (HIPS)<\/li>\n<li>copolyester<\/li>\n<li>high density polyethylene (HDPE) made from petroleum stock<\/li>\n<li>HDPE made from sugar stock<\/li>\n<li>polyethylene terephthalate glycol-modified (PETG)<\/li>\n<li>polylactic acid (PLA)<\/li>\n<li>polyoxymethylene (POM)<\/li>\n<li>polymethylmethacrylate (PMMA)<\/li>\n<\/ul>\n<figure id=\"attachment_7248\" class=\"thumbnail wp-caption aligncenter\" style=\"width: 1091px\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ulprospector.ul.com\/media\/2017\/10\/bob-Muenchinger-study-pic-2-1024x615.jpg\" alt=\"Associate professor Kiersten Muenchinger provides insight into the top four factors millennials consider when assessing sustainable plastic products. \" width=\"1091\" height=\"655\" \/><figcaption class=\"caption wp-caption-text\">Concept study to mold visualizations of environmental impact, including Okala life cycle analysis impact factor (www.okala.net) and carbon footprint. (Photos by Sean Leyden)<\/figcaption><\/figure>\n<p>Muenchinger \u2013 who previously worked as a design engineer with IDEO, Fitch, Sottsass Associati, Walt Disney Imagineering, the Long Now Foundation, and Parapluie \u2013 did a statistical analysis of the ratings provided by 139 millennial respondents, and the results showed that those individuals found only four material design strategies to be indicative of a product\u2019s overall sustainability:<\/p>\n<ul>\n<li>durability (extending the product\u2019s life);<\/li>\n<li>naturalness;<\/li>\n<li>degradability (minimizing the impact of disposal); and<\/li>\n<li>rawness (minimal processing) of the product.<\/li>\n<\/ul>\n<h3><strong>Assessing millennials\u2019 top 4 factors<\/strong><\/h3>\n<p>Let\u2019s look in greater depth at each of these material design strategies.<\/p>\n<p><u>Durability:<\/u> Muenchinger says that, while durability or toughness is a relatively easy concept for a designer or engineer to understand, that property is seldom used as a marketing tool, except perhaps for products in construction or industrial applications. She points out that lifestyle or kitchen products, even if they have tough coatings or surfaces, often do not focus on their ruggedness or likely longevity. That creates an opportunity, she suggests, since \u201cdesigning and marketing lifestyle products as durable products should connect with the millennial market.\u201d<\/p>\n<p><u>Naturalness:<\/u> She notes that \u201cnatural\u201d is a hot marketing buzzword, but mostly for consumables. The term proliferates on packaging and in ingredient lists of everything from food to shampoos. But the true meaning of \u201cnatural\u201d is unclear. \u201cIt could mean plant-based or bio-based,\u201d Muenchinger says, or \u201cit could mean ingredients that are vernacularly used and recognized.\u201d She again asserts that the naturalness of the polymer materials that make up many other types of consumer products was important to the study\u2019s millennial participants and could be used more effectively as a marketing tool.<\/p>\n<p><u>Degradability:<\/u> Muenchinger adds that \u201cDegradability may be the single-use counterpoint to a durable product. Millennials are concerned about the toothbrushes and water bottles found floating in the North Pacific Gyre, so focusing on degradable materials choices for single-use or short-use products is the most direct way to use this sustainable design strategy.\u201d And degradability can take different end-of-life forms, from depolymerization to composting. She predicts that \u201cthe design strategies for durable products will increase to include degradable options within the next 10 years.\u201d<\/p>\n<p><u>Raw:<\/u> The antonym of \u201cprocessed,\u201d \u201craw\u201d could viewed in different ways, and it\u2019s unclear exactly how the millennials in the study interpreted the term. This is a conundrum to Muenchinger. Citing the example of a cell phone, she wonders whether the respondents interpreted rawness as something such as minimal features, like buttons, or minimal textures used on each of the surfaces. While her latest study clearly suggests that rawness was seen by respondents as a driving factor in their perception of the drinking cups\u2019 sustainability, she remains uncertain how to assess that, adding that \u201cboth rawness and naturalness would be interesting to further define in future studies.\u201d<\/p>\n<h3>Efficiently Search for Plastics by Material Properties<\/h3>\n<p>With Prospector&#8217;s Property Search, you can effectively and efficiently search by properties to find the right plastics for your project.<\/p>\n<p><a role=\"button\" href=\"https:\/\/www.ulprospector.com\/propertysearch?st=31\" target=\"_blank\" rel=\"noopener\"><br \/>\nLearn more<br \/>\n<\/a><\/p>\n<h3><strong>Surprising non-factors <\/strong><\/h3>\n<p>\u201cInterestingly,\u201d Muenchinger notes, \u201cthe recyclability of the product does not factor into the sustainability-consciousness of the participant at all, which is remarkable considering efforts to strengthen municipal recycling programs, label products, and teach elementary school children how to lessen their impact on the earth.\u201d<\/p>\n<p>She also noted that toxicity did not factor into participants\u2019 sustainability-consciousness.<\/p>\n<p>\u201cMy guess, for both these issues,\u201d she suggests, \u201cis that the experience of millennials is that their attentive efforts to recycle have not saved the earth from environmental destruction yet, and that their health has not been directly compromised by their products, so these issues don\u2019t seem like drivers of their experience with sustainability.\u201d<\/p>\n<p>In a recent follow-up interview by email, Muenchinger also noted that \u201cfear about contamination of food products by polymer containers is a conversational topic that occurs regularly in my day-to-day life. It is a common reason given for choosing products made with non-polymer materials. The results around toxicity could indicate that polymer products are so often used in day-to-day life that people actually are comfortable with them, and assume they are not toxic.\u201d<\/p>\n<p>She notes that the survey participants were not provided the names of the materials used to make each of the cups. The very common, frequently handled HDPE was one of the cup materials, and even it did not stand out to people as being a strongly recycled or recyclable material. Three areas help to could clarify recyclability to consumers \u2013 what makes a material recyclable; what materials are commonly recycled; or what post-consumer materials may become raw material feedstocks.<\/p>\n<p>\u201cIt would be interesting,\u201d she suggests, \u201cto test in future studies if molding a triangular recycling symbol into the cups would change the results. I\u2019ve added such symbols in design studies, but not on any physical cups that I\u2019ve used for testing.\u201d<\/p>\n<p>For long-lasting products, the most directly sustainable design strategies that will reach millennial consumers appear to focus on durability and naturalness, said Muenchinger, who received her M.S. and B.A. degrees in mechanical engineering from Stanford University and Dartmouth College, respectively.<\/p>\n<p>\u201cEngineers and designers should work more with their marketing colleagues on how the materials used in the product make a high-quality, durable, sustainable product. The naturalness of a product could be targeted through highlighting materials selections like sugar-based HDPE, corn- or potato starch-based polymers, or composites of cellulosic fibers with polyethylenes or polypropylenes.\u201d<\/p>\n<p>Data on the next generation of products that market the naturalness of these materials will drive how best to use this strategy in the foreseeable future, she adds.<\/p>\n<h3><strong>References<\/strong><\/h3>\n<p><sup>1 <\/sup>Graedel, T.T., Allenby, B. R. (1995). \u201cIndustrial Ecology.\u201d Englewood Cliffs, NJ: Prentice-Hall.<br \/>\n<sup>2<\/sup> Lewis, H., Gertsakis, J. (2001). \u201cDesign + Environment: A Global Guide to Designing Greener Goods.\u201d Sheffield: Greenleaf Publishing Ltd.<\/p>\n<p><u><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ulprospector.ul.com\/media\/2017\/10\/DiP-Logo_HR_borders-300x285.png\" alt=\"\" width=\"300\" height=\"285\" \/><strong>EDITOR\u2019S NOTE:<\/strong><\/u> <strong>Kiersten Muenchinger<\/strong> will be part of a panel discussion exploring this topic in greater depth at the Society of Plastics Engineers\u2019 Nov. 6-8 <strong>Design in Plastics 2017<\/strong> conference at the College for Creative Studies in Detroit. Joining her will be <strong>Dr. Gary Wnek<\/strong>, a professor of both Engineering and of Macromolecular Science &amp; Engineering at Case Western Reserve University, and <strong>Mike Maczuzak<\/strong>, founder and CEO of SmartShape Design in Cleveland, Ohio. Together they will explore the \u201cimportance of the synergistic interface between design and engineering,\u201d with a strong focus on sustainability and packaging. Learn more at <a href=\"http:\/\/www.4spe.org\/designinplastics\">www.4spe.org\/designinplastics<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A University of Oregon educator asked young adults what material- and design-related factors they consider most important to a product\u2019s overall sustainability. The results may surprise you. By Robert Grace Just what constitutes an environmentally friendly, sustainable product? What determines &hellip; <a href=\"https:\/\/ulprospector.ul.com\/7241\/pe-how-millennials-view-sustainable-products\/\">Continued<\/a><\/p>\n","protected":false},"author":23,"featured_media":7243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[21],"tags":[206],"ppma_author":[1244],"class_list":{"0":"post-7241","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-plastics-2","8":"tag-sustainability","9":"entry"},"yoast_head":"<!-- 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He has broad global experience and for more than 35 years has worked as a journalist, editor-in-chief, publishing executive and key connector of like-minded parties. He has launched successful publications and C-level events on three continents. While with Crain Communications Inc., he oversaw the relaunch of the 100-year-old European Rubber Journal in London and helped to start Urethanes Technology magazine there. \u00a0In 1988 Bob returned to Akron, Ohio, to serve as founding editor of Plastics News, an award-winning, weekly business newspaper. In 2005 he oversaw the editorial launch of the bilingual (Chinese and English) PN China e-newsletter and website. For more than a decade at PN he also held the titles of associate publisher, editorial director and conference director, and most recently served as business development director. A long-time affiliate member of the Industrial Designers Society of America, Bob has organized numerous design-focused events, earned a Personal Recognition Award from IDSA in 2013, and constantly strives to help bridge the gap between the design and manufacturing communities. In 2014 he left Crain and created RC Grace LLC in Akron, Ohio, as a consultancy that aims to help companies to enhance their branding and market presence, find business partners, connect with design resources (here or in Asia), secure funding and advance their growth initiatives. 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Grace","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ulprospector.ul.com\/media\/2017\/10\/Robert-Grace_avatar_1508791447-96x96.jpg9c3cf61917eeafce529135a60aa75f87","url":"https:\/\/ulprospector.ul.com\/media\/2017\/10\/Robert-Grace_avatar_1508791447-96x96.jpg","contentUrl":"https:\/\/ulprospector.ul.com\/media\/2017\/10\/Robert-Grace_avatar_1508791447-96x96.jpg","caption":"Bob Grace"},"description":"Robert Grace has been in business-to-business communications his entire career. He has broad global experience and for more than 35 years has worked as a journalist, editor-in-chief, publishing executive and key connector of like-minded parties. He has launched successful publications and C-level events on three continents. While with Crain Communications Inc., he oversaw the relaunch of the 100-year-old European Rubber Journal in London and helped to start Urethanes Technology magazine there. \u00a0In 1988 Bob returned to Akron, Ohio, to serve as founding editor of Plastics News, an award-winning, weekly business newspaper. In 2005 he oversaw the editorial launch of the bilingual (Chinese and English) PN China e-newsletter and website. For more than a decade at PN he also held the titles of associate publisher, editorial director and conference director, and most recently served as business development director. A long-time affiliate member of the Industrial Designers Society of America, Bob has organized numerous design-focused events, earned a Personal Recognition Award from IDSA in 2013, and constantly strives to help bridge the gap between the design and manufacturing communities. In 2014 he left Crain and created RC Grace LLC in Akron, Ohio, as a consultancy that aims to help companies to enhance their branding and market presence, find business partners, connect with design resources (here or in Asia), secure funding and advance their growth initiatives. Email Bob or visit his website at www.rcgrace.com to learn more about how he can help you.","sameAs":["http:\/\/ulprospector.com"],"url":"https:\/\/ulprospector.ul.com\/author\/robert-grace\/"}]}},"authors":[{"term_id":1244,"user_id":23,"is_guest":0,"slug":"robert-grace","display_name":"Bob Grace","avatar_url":"https:\/\/ulprospector.ul.com\/media\/2017\/10\/Robert-Grace_avatar_1508791447-96x96.jpg","0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/posts\/7241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/comments?post=7241"}],"version-history":[{"count":0,"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/posts\/7241\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/media\/7243"}],"wp:attachment":[{"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/media?parent=7241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/categories?post=7241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/tags?post=7241"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/ulprospector.ul.com\/wp-json\/wp\/v2\/ppma_author?post=7241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}